(JTA) – France’s best-known hunter of Nazis, Serge Klarsfeld, and the country’s main umbrella of Jewish groups protested a publisher’s plan to print anti-Semitic essays by the author Louis-Ferdinand Destouches, also known as Céline.
Klarsfeld, a historian and vice-president of the Foundation for the Memory of the Holocaust, told Le Parisien that it would be “unbearable” to find at a French library the essays by the celebrated novelist, which he published under the pseudonym Louis-Ferdinand Céline between 1937 and 1941, the paper reported last week.
And CRIF, the umbrella group, said in a statement that it opposes the plan by Editions Gallimard to publish later this year the three “racist, anti-Semitic and pro-Hitler” essays titled “A bagatelle for a massacre,” “The school of corpses” and “Beautiful sheets.”
The plans to publish the essays were made known in November but formally announced only in recent days. A spokesman for Éditions Gallimard, one of France’s most prominent publishing houses, told L’Express the essays would be edited “in a scientific style” that would expose and explain their anti-Semitic content.
Céline, a physician and open supporter of Adolf Hitler’s Nazi Germany, published “Journey to the End of the Night” in 1932 about his experiences fighting in World War I. Celebrated as a timeless masterpiece about the horrors of war, it influenced Joseph Heller, author of “Catch-22,” and earned Céline accolades from the American poet Charles Bukowski, who himself was accused of harbouring pro-Nazi sympathies. Bukowski wrote in “Notes of a Dirty Old Man” that Céline was the greatest writer of the past 2,000 years.
Reviled and detested in his native France for his support of the Nazi occupation, Céline left for Germany and Denmark after France was liberated. He returned in 1951, a decade before he died. The author’s page on the website of Éditions Gallimard neither says why Céline left France nor mentions his pro-Hitler and anti-Jewish views.
In one of the 176 pages that comprise “Beautiful sheets,” Céline writes: “More Jews than ever before on the street, more Jews than ever before in the press, more Jews than ever before on the bar, more Jews than ever before at the Sorbonne, more Jews than ever before in medicine, more Jews than ever before in theatre, in the opera, in industry, the banks. Paris, France more than ever before ceded to the masons and Jews, more insolent than ever before.”
Frédéric Pottier, the French government’s envoy for dealing with anti-Semitism, wrote a letter last month to Antoine Gallimard, the publishing house’s president, expressing “concern” over the plan to publish the essays “in a context where the scourge of anti-Semitism must be fought more forcefully than ever before.”
According to Le Parisien, Céline’s 105-year-old widow, Lucette Destouches, who holds the copyright for the essays, for decades had opposed to allow the publication in France of her late husband’s anti-Semitic essays but recently has had a change of heart.